I’m going to be upfront about this: while I loveold old Flobots , I’m not particularly a fan of their current violin funk music direction. And as I’ve stated many times that I dislike the Warfield. In fact this was my first show there in over 3 years. And, while I’m being upfront, I was pretty annoyed by the people behind me who were yelling “Nice!” “Fuck yeah!” and (during a song) “I can’t believe people are talking through this!”
So why am I even writing about this show? Because the Flobots put on a good show. It was engaging despite the above.
In the live setting I found the vocals more central on the Flobots newer recordings (even though they were mixed too low at the venue). That allowed me to put aside the music to an extent. Not only are Jonny 5 and Brer Rabbit good MCs–Jonny 5 is, in fact, tremendously talented–but they’re good showmen as well. They got the crowd going while getting across what they wanted to get across, mostly centered around the group’s progressive politics.
One thing I found unfortunate is that though the crowd responded well overall and especially to the more anthemic choruses and songs, they didn’t respond as well to Jonny 5′s headier raps, which is something I appreciate about his songs. For example, on one song, Brer Rabbit held up a sign with “IRAQ” written on it and Jonny 5 went through a huge chunk of the song rhyming through words that began with I R A and Q fluidly like he did with DARE on “Onomatopoeia” (“Drugs Are Really Expensive Drug Availability Reflects Extensive Dependence And Real Educated Descendants….”). I feel like in the long run, if these audience reactions are consistent, they’ll be encouraged by that to not to do songs like that and to stick to the more anthemic stuff.
I’m not the sort of person to get particularly worked by politics, but after their set and the closer “Rise”, I was walking out of the venue emboldened to an extent. That’s a testament to the group’s presence and showmanship.
My “I once was Canadian Thanksgiving Special” is on the air starting at 3pm PST. In something of a tradition, I’ll be playing oldies music and sharing my family’s Thanksgiving recipes over the air.
My radio show airs on KZSU every Tuesday from 3-5pm Pacific on KZSU 90.1 FM in the Bay Area or you can listen online.
During my show you’ll be able to follow along online with my playlist.
This is the first of a series of specials in this time of year. The other ones and their tentative dates:
Best Albums of the Year (Dec 9, 3-5pm)
Christmas Extravaganza (Dec 17, 5-7pm, special Wednesday show)
Top Song Obsessions (Dec 30, 3-5pm)
Tune in for those. It’s an exciting time of year for me and my radio show.
Update: Here’s my playlist:
Miriam Makeba – Pata Pata
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Booker T. & the Mgs – Mo’ Onions
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Sam Cooke – Chain Gang
Ruby Andrews – You Made a Believer Out of Me
Jean Knight – Mr. Big Stuff
the Wright Specials – Ninety-Nine and a Half Won’t Do
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Sam Cooke – Were You There?
Marvin Gaye & Tammi Terrell – Oh How I’d Miss You
Dusty Springfield – Son of a Preacher Man
The Miracles – Tears of a Clown
Sam and Dave – Hold On I’m Comin’
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The Exciters – He’s Got the Power
Del Shannon – (Marie’s the Name) His Latest Flame
Wanda Jackson – Funnel of Love
Elvis Presley – Flaming Star
Herman’s Hermits – (What a) Wonderful World
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James Hunter – Hand It Over
Raphael Saadiq Seven
Marvin Gaye & Tammi Terrell – Ain’t no Mountain High Enough
Noise Pop 2009 (aka Noise Pop 17) will be February 24-March 1, 2009. The first acts have been announced: Antony and the Johnsons, A.C. Newman, No Age, Goblin Cock, and Clues.
Compared to last year’searly announcements (Mountain Goats, Magnetic Fields), this year’s field is looking a bit weak. I’ll hold off judgment, though, as a lot of the best Noise Pop shows aren’t the big ones.
Joe Pug was up first. He came on to a small (and growing) crowd, stating, “We’ve got a great night of music for you.” He played a set that included “Hymn #101″, “I Do My Father’s Drugs” and “Bury Me Far From My Uniform”.
Particularly important for a one man band, the sound was good (except for the reverb being a little heavy on his vocals). He played and sang beautifully and the crowd was definitely appreciative.
Harbours were up next. I found their set to be a bit hit or miss.
Silent Comedy got the crowd riled up with their energy but I didn’t quite love their roots/ Americana bar band sound.
Or, the Whale was the headliner for the night. They played a set mixed with old tunes (“Fixin’ to Leave”, “Fight Song”, “Crack a Smile”) and new songs (“Rusty Gold”, “Black Rabbit”).
They’d just been in the studio for two weeks and it seemed they were raring to get out and play. It was one of the highest energy sets I’ve seen from them. The encore ended with a raucous all-hands-on-stage, crowd-sing-a-long version of “Call and Response” that resembled less a concert than a party.
My monthly mixtapes were not quite monthly there. However I did want to get this up so you could put it on your ipod for your Thanksgiving travels if you wanted.
You can download the zip file with the following:
1. mp3s of the songs
2. liner notes (pdf)
3. playlist files (iTunes txt file and an m3u file)
(for the iTunes file, simply import all the songs to your library and then go to File->import and then select the song list (the txt file). you should now have the 2008oct-nov playlist in your iTunes with all the songs in the correct order).
Go ahead and check out the playlist (below) or the liner notes. It’s pretty folksy but with some soul and things thrown in.
If you like the artists or songs, I suggest supporting them by buying their music, going to a show, buying merchandise from them or at least telling other people about them.
The playlist:
Horse Feathers Curs in the Weeds
The AcornDarcy
David BazanPlease Baby Please
Lewis & ClarkeBe the Air We Breathe
Laura Marling Ghosts
Theresa AnderssonNa Na Na
Frightened RabbitPoke (live)
American Analog SetBorn on the Cusp (demo)
Ben GibbardFarmer Chords
Raphael SaadiqSeven
The SupremesRun, Run, Run
Ruby Andrews You Made a Believer Out of Me
Dorothy Berry You’re So Fine
Miriam MakebaPata Pata
Crooked FingersSolitary Man
Joe PugBury Me Far From My Uniform
LowSunflower
PeasantImpeccable Manners
Deer TickAshamed
the Twilight SadSome Things Last a Long Time
[1] If you’re having trouble with the rapidshare link, here’s what you do, step-by-step. 1) Click on the link. 2) scroll down and click “FREE” 3) wait till the counter gets to zero 4) enter the letters in their graphic into the box 5) click “download”
Joe Pug (myspace) was on KZSU on Thursday night. We pre-recorded the session earlier in the evening and then aired it at 9:15pm. Joe played a great set of old and new songs and was really nice and professional throughout.
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He also did a really nice version of “Not So Sure” during a (failed) test recording.
He’s got tour dates in Wisconsin, Texas, Colorado and the east coast coming up. Check out dates on his myspace page.
Song obsessions are those songs that we listen to on repeat. I noticed that my obsessions are often a week long. I also thought that other people might have similar obsessions. I’ve collected a panel of a few like-minded individuals and gotten their “song obsessions of the week.” Quite often it’s easy to explain why the song is good; it’s much hard to explain why we’re obsessed. Maybe you’ll become obsessed with one of these.
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I’ve gotten used to David Bazan’s stunning songs, but this song caught me off guard. It’s a pretty amazing version of the Headphones’ fairly detached original.
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Girlfrendo were a progenitor of the current Swedish pop surge, placing incredibly catchy songs in the minds of those paying attention to the scene back in the late 90’s. This song is endemic of their work, with off-kilter traded male/female vocals, a heaping helping of “dat-dat-dat-da’s†and crush-worthy lyrics. One of the members went on to the also exciting Love Is All while others seemingly disappeared into lives of obscure responsibility. Here is a salute!
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I think I watched the video for this song on Pitchfork.tv about a dozen times. It’s really a beautiful tune, and so far, I’ve found it to be the best track on the album. I have the feeling that this track is going to be much like “Promising Light” was, on Iron and Wine’s The Creek Drank the Cradle. At first listen, I didn’t find a lot to love on tCDtC, except for “Promising Light.” After a few more listens,
though, that track drew me into the rest of the album, and it’s since become one of my favorites. I’m excited to see if, and how, House with no Name does the same.
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I had heard a few of Joe’s songs before and really liked them, but after Adrian posted this one on Tuesday I immediately had it on repeat. It’s great that a modern musician can do such timeless stuff but still be original.
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[David Bazan's "I Never Wanted You" to go along with Adrian's song obsession:]
[Horse Feathers' "Curs in the Weeds" to go along with Andy's song obsession:]
MP3s on this site are for sampling purposes only. Support artists you like. If you control the copyrights for anything posted here and you would like it to be removed, contact me